An ambitious trip towards the deep subconscious of Man, Paul Thomas Anderson’s 2012 The Master showcases a gladiatorial battle of wits between a perturbed individual, exacerbated by his animal appetites, and an apparently civilized and yet animalistic man of letters.
Don’t be fooled by the presence of the late Phillip Seymour Hoffman as the supposedly titular character. Although Lancaster Dodd, as the founder of a cult, looks the type, he might not even be the master of himself. Is Freddie Quell, on the other hand, enough of a daring anti-hero to be called an Übermensch? Paul Thomas Anderson – one of the greatest filmmakers of the last twenty year, who seems to never put a foot wrong – looks into the eyes of archetypal America in order to explain the trends of nowadays. Continue reading