A thriller bathed in melodramatic undertones, Juan José Campanella’s 2009 The Secret in Their Eyes – which somehow attempts to depict the emasculation of modern man – cleverly constructs a puzzle that deals with the personal intertwined with the political in Argentina’s past.
It is obvious that The Secret in Their Eyes [El Secreto de sus Ojos] wants its audience to feel split between two different worlds. Both main characters are linked to a dichotomy – Benjamín in his contrasting attitude towards his homeland and Irene (the missing ‘A’ in the old typewriter and the wordplay between temo (I fear) and te amo (I love you)); and she in her Anglo-Spanish name. Perhaps less obvious is the fact that this ambiguous relationship is ubiquitous in South America. As Argentinians, Brazilians, Chileans et al display a Latin passion for their culture, they also feel a great contempt towards their politics. Continue reading