A visually and morally audacious picture, Fernando Meirelles’ 2002 City of God, this violent, frantic, sprawling and elliptical tale of crime and poverty in a suburban slum of Rio de Janeiro, poses tough, controversial questions about income inequality and social justice.
How does one fight injustice in a just way? Try and escape a prison erected before you’ve even been born. What would you do to make ends meet? What moral limits you’re prepared to accept in order to feed, house and raise your family? Any at all? City of God [Cidade de Deus] depicts the lives of people who have been dealing with such tough questions all their existences. It is easy to moralise from afar. It is arrogant to criticise choices we don’t have to make. It is safe to point the finger when there are no crime lords around to slice it off. Continue reading