Fargo (1996), Joel & Ethan Coen

A tale of desperate greed and callous indifference, the Coen Brothers’ 1996 Fargo – a film-noir negative with impressive snowy landscapes – follows a naïve salesman, who sets in motion a trail of brutal violence, which is dealt with by a heavily pregnant County Sheriff.

fargo-2Is Fargo the worst-case scenario of a true story about the American Dream gone terribly wrong? Which is the more contentious term in the precedent sentence: true story or American Dream? Some might find that both expressions are highly inadequate to describe the film. For it is widely known that the mentioning of truth at the beginning of the movie is a joke and that the tale that follows is more of a nightmare than a dream. However, it is similarly possible to hold the view that, in fact, the film showcases the truth about a society and its system of incentives taken to its logical conclusion. Continue reading

No Country for Old Men (2007), Joel & Ethan Coen

An intense noirish western that deals with substantial moral questions, the Coen brothers’ 2007 No Country for Old Men, with its cynical view of modern America, subverts hero-worshiping in the form of a hideously atypical villain who is indestructible as a superhero.

no-country-for-old-men-2It seems odd to call No Country for Old Men a western. It certainly looks like one. The story takes place in Texas and several elements of the film – the orange-tinted landscape, the cowboy-type hero, the brutal violence – all point to, arguably, the most American of all genres. However, westerns usually are moral tales with archetypes dealing in honour and personal justice. The Coens’ film is rather more ambiguous.

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