A cynical perspective on military motivations, Stanley Kubrick’s 1957 Paths of Glory, with its themes of moral corruption, undisguised hypocrisy and absurd vanity, astonishes and outrages in equal measure, for its outstanding storytelling and unbearable injustice.
Usually understood as an anti-war film, Paths of Glory seems unduly reduced to a moralistic and doctrinaire tale. Colonel Dax, the audience’s alter ego, is indeed an honourable and dignified man, who nevertheless remains a military man to the very end. He even becomes outraged when his superior suggests that his quest for justice is in reality an artifice to get a promotion. However, as dignified as he may be, Dax never questions the bureaucratic structure or the raison d’être of his organization. The movie fights through some very dense philosophical issues. Continue reading