A philosophical hornet’s nest which gradually gets stirred up, Kenneth Lonergan’s 2011 Margaret – a film with fine shades of right and wrong – accomplishes in three hours what most of us never do in a lifetime, i.e. it acknowledges the blurred line between the good and the bad guys.
Oh life, what a messy business! Some argue that Margaret shares plenty of the same chaos – uneven and brutally unfocused, this three-hour mess of a movie can’t hold on to its emotional core. To me, this is exactly what makes the picture an accomplished piece of film-making. Part of its geniality is this ability to expose life as it is: random and chaotic. As she herself realises, the film’s main character’s ethical dilemma does not stop the world from spinning… Continue reading