A film-antidote to the idealized idea of the conquistador, Werner Herzog’s 1972 Aguirre, Wrath of God, as brutal and visceral as it is, the movie nonetheless presents us with an insightful vision of both positive and negative sides of paradise and European madness over it.
Intellectuals from the Northern Hemisphere have always been fascinated by how the other half bear their existences. Classic fictional works like Joseph Conrad’s 1899 Heart of Darkness, Werner Herzog’s 1972 Aguirre, Wrath of God [Aguirre, der Zorn Gottes] and Francis Ford Coppola’s 1979 Apocalypse Now share key conceptual points that shed some light on how the rich see the rest of the world. The search for paradise lost – by itself a worrying and naïve quest! – usually follows mad men on boats facing up to mighty rivers… Continue reading