A sad and – on its release date – a shocking film, John Schlesinger’s 1969 Midnight Cowboy, tells the poignant tale of two outcasts, adrift in the urban ocean of isolation, alienation and disenfranchisement of the ultimate great metropolis, who can’t help but dig their own graves.
Can the outsider succeed in the great cities of the world? There’s a paradox in the movement of people towards the bright lights – the most suited of places to receive them are also the least welcoming ones. New York City, with its myriad of opportunities, is where dreamers start over, and yet, by its very nature and sheer size, it also alienates newcomers. The Big Apple of Joe Buck and Ratso Rizzo seems like a private party, in which they have not been invited. Continue reading