A visually imposing and thematically superlative film, Wong Kar-Wai’s 2000 In the Mood for Love, a deceptively simple story of random love, subjects viewers to a tough moral dilemma in dealing with the all too important question of how to keep one’s integrity after being hurt.
If there ever was a movie, beautiful enough to be displayed as a coffee table book, that had to be In the Mood for Love [Fa yeung nin wa]. Every single frame of Wong Kar-Wai’s film is a work of art; a poem made up of yellow, orange and red; a widescreen canvas, painted with flowering dresses and cigarette smoke. What’s most incredible about the movie is that its cinematography is not even the most significant aspect of its magnificent whole. Thematically, this masterpiece (definitively a 21st century Top 10 film) reaches unimaginable levels. Continue reading