A sad and – on its release date – a shocking film, John Schlesinger’s 1969 Midnight Cowboy, tells the poignant tale of two outcasts, adrift in the urban ocean of isolation, alienation and disenfranchisement of the ultimate great metropolis, who can’t help but dig their own graves.
Can the outsider succeed in the great cities of the world? There’s a paradox in the movement of people towards the bright lights – the most suited of places to receive them are also the least welcoming ones. New York City, with its myriad of opportunities, is where dreamers start over, and yet, by its very nature and sheer size, it also alienates newcomers. The Big Apple of Joe Buck and Ratso Rizzo seems like a private party, in which they have not been invited. Continue reading
A tense action tale mingled with a horror story, John Boorman’s 1972 Deliverance showcases – through the clash of urban sensibilities and rural stubbornness – the complexities and contradictions of defending nature (itself a magnificent foe here) against human greed.
At the end of Deliverance, there is a question that remains unanswered: What is more terrifying, nature or human nature? Do we feel safer in highly populated urban centres or isolated deep inside the woods? Would we rather be surrounded by people and far from wild animals in the city or away from human beings and protected by trees in the wilderness? When confronted by the story of these guys, it does not matter if we are urban types or rural sympathisers. For in the film we witness the worst of both worlds. Continue reading