The Godfather (1972) / The Godfather – Part II (1974), Francis Ford Coppola

Two superb masterpieces, comparable to the first sequence of films made by Orson Welles, Francis Ford Coppola’s 1972 The Godfather & 1974 The Godfather – Part II are real landmarks in the history of American cinema and turning points in the country’s image of itself.

the-godfather-2In 1945, on his daughter’s wedding day, Don Vito Corleone (Marlon Brando), who is the boss of a New York criminal clan, hears requests from selected guests. Some want justice; some want a role in an upcoming movie; some just want to pay their respect. As the Don’s third son, Michael (Al Pacino) returns from serving his country in World War II and brings his girlfriend Kay Adams (Diane Keaton) to meet the family, we get acquainted with all the family members. These are: first and second sons, hot-headed Sonny (James Caan) and weak-minded Fredo (John Cazale), daughter Connie (Talia Shire) and adopted son, trusted lawyer and consigliere Tom Hagen (Robert Duvall). ooooo ooo godfather-diane-keatongodfather-talia-shiregodfather-john-cazalegodfather-vito-childgodfather-marlon-brandogodfather-robert-de-nirogodfather-al-pacinogodfather-james-caangodfather-robert-duvallWhen a crime lord invites Don Corleone to join him in the emergent drug market and he refuses, an attempted murder fails to kill him. Michael, thus far an openly outsider and the only college-educated of the children, suggests the assassination of the two men responsible for their troubles. After killing the drug baron and the crooked, ‘on his pay roll’ police officer, Michael flees to Sicily, in Italy. When Sonny is killed in retaliation for the previous murders, the Godfather arranges a meeting with the other crime families of New York to establish a cease-fire. As Michael is allowed to return to the USA, he becomes the new Don. Soon after Vito Corleone dies, on the day of his sister Connie’s baby’s baptism, Michael Corleone orders the death of every single of his enemies, the bosses of the other criminal families. Continue reading

Serpico (1973), Sidney Lumet

A classic whistle-blowing and myth-bursting tale, Sidney Lumet’s 1973 Serpico, the agonizing story of an honest cop battling corruption within the New York City Police Department, showcases how greed trumps dignity every time at every level of human endeavours.

serpico-2This 40-year-old tale of one guy against the system is surely nothing new to modern audiences, right? Who really does not know that the police force is a corrupt and self-serving organization? Since the release of the movie, audiences have become cynical and don’t normally buy this idea that cops patrol our cities ‘to protect and to serve’. It would however be a mistake to see the film’s value in such simplistic terms. For the story of Serpico is less about revealing corruption in the police force and more about the struggle one man faces when he chooses dignity and the consequences it has on his self. Continue reading