Winner of the Academy Award for Best Foreign Language Film, Akira Kurosawa’s 1975 Dersu Uzala – a sprawling epic played out in the Russian wilderness – works wonderfully as a metaphor for man’s paradoxical feelings towards the civilizing process and its trappings.
Like the individual himself, society constantly struggles between the two ends of the civilizing spectrum. As it feels divided by such a battle within, it thus divides the people who it is made of. Romantics towards the misguided idea of the noble savage still exist, but none of them feel inclined to trade-off their modern comforts for a rough life. Because words and ideas are an abyss apart from actions and reality, we juggle moral platitudes and change nothing around us. Continue reading
Philosophically profound as well as thematically challenging, Akira Kurosawa’s 1950 Rashomon touches not only on cinematic history and the confluence of Eastern and Western traditions, but also on the age-old and important matter of the nature of truth and its elusiveness.
Forget for a moment that this film revealed to the world one of the greatest masters of cinema, or that its title became a common term to describe contradictory interpretations of a single event. For now, just give a passing thought about truth, its nature and how elusive it really is. Kurosawa’s choice to tell lies reinforced by images that suggest the truth already elevates the movie to a different level of philosophical depth. Rashomon [Rashômon] is indeed a true masterpiece. Continue reading