Deliriously funny and poignant, Alejandro Gonzáles Iñárritu’s 2014 Birdman or (The Unexpected Virtue of Ignorance), gradually treats us with small doses of wisdom drugs as it reaches a crescendo of lucid madness, before administering a treatment for life’s meaninglessness.
How does a man, on the threshold of madness, between his long gone, careless youth and his dreaded autumn years, solve a grave existential crisis caused by his own poor choices? Obviously, he turns against himself, as Birdman‘s Riggan Thomson does. But as he knows to be the only one capable of extracting himself from the black hole of self-contempt, our (literally!) hero also understands that redemption as the cure for his malaise can only work with the involvement of the people who hurt, and have been hurt by, Riggan. Thus, he embarks on an involuntarily last hurrah journey… Continue reading
Arguably the most conventional of his ‘perplexing’ films, David Lynch’s 2001 Mulholland Dr., a fairy tale with a twisting end, is nonetheless an atmospheric unsolvable jigsaw: dreamlike in its mood and narrative; bleak and austere in its view of human nature and show business.
For over a decade viewers have been trying to unravel the mystery behind Mulholland Dr. A movie which asks viewers to consider differences and similarities between dream and reality is intrinsically playing an ironic game – for, among all art forms, film is the most oneiric one. It is, after all, through lies, artifice and make-believe, that cinema tries to tell the truth. And given that the representation of a dream on the screen is arguably no different from the representation of reality, Mulholland Dr. can play between these two poles and generate genuine disorientation.