A western with no action or a play with cowboys, William A. Wellman’s 1943 The Ox-Bow Incident tells the sad tale of three men facing the possibility of execution by the mob, where reason and compassion are overlooked in the name of impulsive, angry and swift ‘justice’.
It is not a coincidence that Henry Fonda’s character Gil Carter in The Ox-Bow Incident represents the audience’s alter ego and challenges the mob rule mentality, as he would do the same fourteen years later in Sidney Lumet’s classic 12 Angry Men. Fonda as an actor is perfect as the cool and rational human being who is capable of seeing things as they should be seen. Note here, not necessarily seeing thing as they really are, for that would imply that society, and especially American society, is just, and yet human beings are sometimes misguided. Continue reading