One of the best debut films in the history of cinema, Sidney Lumet’s 1957 12 Angry Men, a hymn to the voice of reason amidst a cacophony of furious prejudice, questions the very nature of the American judicial system in its pursuit of justice and its relation to the truth.
On a sweltering, Summer day, the twelve members of a jury retire to deliberate on a murder case. What at first seems irrefutable to nearly all of them, i.e. the defendant’s guilt, soon dissipates into thin air. Rain starts to fall, cooling the day, as juror # 8, slowly convinces the others of the possible reasonable doubt in the case. As ambiguous as it can be, we never find out the truth of the matter. We are left with the not guilty verdict and we’re not sure it is the best one. Continue reading