A lyrical war movie to end all war movies, Terrence Malick’s 1998 The Thin Red Line, this epic and metaphysical film, asks the most essential of questions: Is war – such a primordial conflict resolution tool – as natural as the magnificent landscape shown on the picture?
Why does mankind need to reach the depths of despair in order to notice the precious nature of life and to contemplate what’s beyond the mundane? Perhaps, it is this paradox that makes war stories especially poignant, with such a rich array of feelings and emotions that seems to encompass humanity’s whole range of meanings. Thus the actuality of war poses a great conundrum to our species as it encapsulates primeval aspects of mankind’s psyche, and as such serves us with the tools to search for and reach the sublime. Continue reading →
Sandwiching the horrors of war between two dramatic opposites within a three-act story, Michael Cimino’s 1978 The Deer Hunter – a truly compelling tale of friendships gone awry – is the film which surely helped to propel the careers of its superstar actors to the stratosphere.
By the end of The Deer Hunter, when these close-knit friends sing ‘God Bless America’ around a bar table – longing for the safe haven of the past – they have been through a poignant arc in their lives. Though the three men who left for Vietnam somewhat return home, only one of them stays halfway sane; the other two are either dead or reduced to a traumatized child. During the movie’s three hours, these people mature so dramatically, almost becoming different men and women, as to infuse the picture’s last scene with so much ambiguity. Continue reading →