The King of Comedy (1983), Martin Scorsese

An odd and uncharacteristic entry in his filmography, Martin Scorsese’s 1983 The King of Comedy, a cautionary tale of mediated reality and borderline psychosis, tells the scathing story of one man’s insecurity and his obsessive, unscrupulous and relentless pursuit of fame.

the-king-of-comedy3Rupert Pupkin is a deluded and malicious man, who resides at the edge of morality. But the line that separates him from other, more ‘normal’ individuals is thin indeed. In different circumstances, Pupkin could arguably be a highly successful man – streetwise, determined and flexibly adaptable. In a parallel universe he would not be loathed, but greatly admired. Continue reading

Taxi Driver (1976), Martin Scorsese

One of the seminal works of the American New Wave, Martin Scorsese’s 1976 Taxi Driver, a noirish masterpiece about loneliness and alienation with a powerful ambiguity at its core, raises morally important issues without ever leaning towards clear-cut or sanctimonious answers.

taxi-driver-2Is Travis Bickle a deranged man with psychopathic tendencies or an avenging angel with noble purposes? Are Bickle’s racism and misogyny utterly distinguishable from the other characters’ or purely a reflection of their time and place? Is he really an outsider or simply an extreme representation of that society’s darker side?

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