Philosophically profound as well as thematically challenging, Akira Kurosawa’s 1950 Rashomon touches not only on cinematic history and the confluence of Eastern and Western traditions, but also on the age-old and important matter of the nature of truth and its elusiveness.
Forget for a moment that this film revealed to the world one of the greatest masters of cinema, or that its title became a common term to describe contradictory interpretations of a single event. For now, just give a passing thought about truth, its nature and how elusive it really is. Kurosawa’s choice to tell lies reinforced by images that suggest the truth already elevates the movie to a different level of philosophical depth. Rashomon [Rashômon] is indeed a true masterpiece. Continue reading