A sad and – on its release date – a shocking film, John Schlesinger’s 1969 Midnight Cowboy, tells the poignant tale of two outcasts, adrift in the urban ocean of isolation, alienation and disenfranchisement of the ultimate great metropolis, who can’t help but dig their own graves.
Can the outsider succeed in the great cities of the world? There’s a paradox in the movement of people towards the bright lights – the most suited of places to receive them are also the least welcoming ones. New York City, with its myriad of opportunities, is where dreamers start over, and yet, by its very nature and sheer size, it also alienates newcomers. The Big Apple of Joe Buck and Ratso Rizzo seems like a private party, in which they have not been invited. Continue reading
Told from the perspective of its bored and aimless anti-hero, Mike Nichols’ 1967 The Graduate juxtaposes a bleak view of suburban conformism and youth alienation to a background of green grass, white picket-fences and orange Californian sunshine.
Despite Ben’s middle class background, anyone should be able to relate to his predicament – he has just finished studying hard and expectations are really high. Though now he can breathe a little, Benjamin feels like a pressure pan, ready to explode. Who has never felt like that? Who, at the outset of adulthood, never felt that the world was expecting too much from them? Though many viewers might find Ben too much of a spoilt brat, surely they still can feel for him and the typical troubles of a rebellious and confused young man. Continue reading